This week in Art class our guest speaker was Anya Kivarkis, a professor here at the University of Oregon. Her are of expertise was about crafts and methods of production. She first began the presentation talking about handmade reproductions of originals. The original is genuine and authentic while the reproduction is just an imitation, a copy and a fake. She went on by explaining the reproduction is a failure; it’s vulnerable because of its imperfection, and sometimes even completely dysfunctional or useless. The reason why they even make a reproduction is because in some cases the reason might be to make an expensive and popular product more available to the general consumer. Ms Kivakis also gave us an example of Wim Delvoye a craftsman who reproduced a beautiful marble floor entirely out of deli meat, which was somewhat interesting but not long lasting. Another reason artist reproduce handmade reproductions is to make a point. We also learned about Myra Mimlitsch-gray, an artist who duplicated a gorgeous ceramic teapot and also made a box to fit around it with a slit for the handle, and two holes; one to pour tea into the teapot and another to pour it out at the spout. The idea of it was looking Vs using. The teapot still worked and it was exactly as the original but a wooden box was hiding it’s beauty.
We later talked about regular reproductions and historical changes. Anya told us that the reproduction is not only of lesser value but it sometimes even lowers the value of the original piece. We also learned about Richard Neilpovich, who mass-produces sets of silverware in which each piece was different from the other. What he’s trying to prove is that normal mass production allows no mistakes to be made which is dehumanizing; humans make mistakes so why not make mistakes.
Our reading for this week was about John Feodorov. An artist that is part Native American and well aware of the stereotypes of his own heritage. He does not agree with ideas of selling spirituality because owning an object gives someone power over that object. He believes spirituality should be something that is not easily acquired in a materialistic way. He in a way makes fun of western culture by over exaggerating how crazy it is. He stresses the fact that people are buying things that should not be bought, he says a person can buy a million totem poles and dream catchers but you can never buy spirituality and happiness, kind of cliché but I totally agree with it. John says in the reading these are things that you don’t have to think about doing it just comes naturally.